Arrope, mostillo, mostarda, saba, vin cotto, vino cotto, pekmez, petimezi—these words from various lands surrounding the Mediterranean Sea all mean the same thing: grape juice boiled down to a thick syrup. Before Arabs introduced cane sugar to Europe, molasses from grapes, figs, or pomegranates was the best substitute for honey, a product that was usually more costly—or painful—to obtain.*
Grape molasses is still fairly common around the Mediterranean. In Spain arrope is used to fortify wines, to transform them into liqueurs with rounded flavor and enhanced sweetness. In Italy vin cotto is sometimes be served with quince paste and cheese. In Turkey pekmez is used in preparing many desserts. Grape molasses is also dribbled on toast, salads, steak, yogurt, and ice cream, and used as a marinade for duck and other meats.
The typical way to begin making grape molasses is to save some of the must when you’re pressing grapes for wine. You need at least two quarts must, which you’ll get from about six pounds of grapes. If you don’t have a fruit press, you can separate the juice from the seeds and skins by putting stemmed grapes through a tomato strainer. Or you can heat the grapes in a covered kettle until they come to a boil and burst their skins, and then drain the juice through a colander. For a jammier texture, press the grapes through a fine strainer (or use a food mill, if the grapes are seedless).
The second and final step in making grape molasses is to gently boil the juice—in a wide, heavy, nonreactive pan—until you have a thick syrup (like hot honey), taking care that it doesn’t caramelize. The boiling requires at least an hour and a half, longer if you’re using more than two quarts must.
Store the hot molasses in tightly closed jars. You can process the jars in a boiling-water bath, if you like, just as you would jam—five minutes if you’ve sterilized the jars first, ten minutes if you haven’t.
The color, texture, and flavor of your grape molasses will depend on your grape variety. The juice will darken with boiling in any case, but dark grapes, to my mind, make the most visually attractive molasses. The molasses will be more or less tart, and notably astringent or not. If it’s made from an American grape variety, it may jell upon cooling, though slow cooking can prevent this.
To make preserves in a truly ancient style, add fruit to your grape molasses while it’s cooking. Dried fruit, such as figs, are added to the juice at the start of the cooking. A few weeks ago I added a cup of dried figs to the juice of eight pounds of seedless, blue Glenora grapes to make two pints of dark, rich preserves.
Even more interesting are my Glenora-quince preserves. Quinces conveniently ripen at about the same time as grapes, so combining the two seems natural. I used a pound of quinces—peeled, quartered, cored, and then cut into smaller pieces—for six pounds of grapes. I added the quinces to the juice after reducing it by half. Then I gently boiled the fruit in the syrup for about an hour, until the syrup was suitably thick.
Early in the cooking, my quinces looked almost like sliced beets in beet juice. Afterward, in jars, the quince pieces were invisible in the dark molasses.
Preserves made with grape or other fruit molasses are more complex in taste than preserves made with refined sugar. Deliciously tart, mildly astringent Glenora-quince preserves go just as well with smoked pork or roast poultry as with toast or yogurt.
Fat bunches of Canadice grapes, my favorite for fresh eating, still hang on the vines trellised over our back deck. Before the birds and wasps get them all, I think I’ll boil some down into molasses.
* I use the word molasses for these fruit products because it originally meant “honey-like.” The word syrup seems less suitable, from a historical perspective, because it comes from an Arabic word for a sugar-sweetened drink.